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In the era between the 1882 Chinese Exclusion Act and the Immigration Act of 1924, nativist advocates for immigration restriction commonly invoked metaphors of eating and digestion to support their cases. This essay draws on political, popular, and scientific discourses around immigration and digestion in order to analyze the affective power of the rhetorically constructed “body politic.” While numerous scholars have addressed the ways immigrants have been variously figured as threats to the nation—as pollutants, toxins, disease, floods, or invading armies—few have analyzed metaphors of eating and digestion. I argue that the national body became a metonym for the ideal (white) citizen body, which supported anti-immigrant rhetoric through metaphors of eating, digesting, and eliminating undesirable aliens—those who did not agree with the national stomach. The body politic came to represent the ideal US American body as individuals were invited to identify with the nation through the trope of the body politic; immigrants who did not share this ideal body were rendered undesirable through their association with indigestibility and disgust. This essay demonstrates the affective and thus political power that digestion metaphors provided, shedding light on an early instantiation of the disgust that pulses through twenty-first-century anti-immigrant discourse in the United States.
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This comic essay engages trans embodiment and temporality, representation and identity, passing, and drawing as a form of thinking. Although uncommon, comics have been established in academia as a genre worthy of literary study as well as scholarly inquiry in the broader humanities, social sciences, and the arts (Bukatman, 2012; Chute, 2010; Howard & Jackson, 2013; Cox, 2016). Recently, scholars have also studied the use of comics making as an analytical tool in qualitative research (Katz, 2013; Sousanis, 2015; Weaver-Hightower, 2013; Flowers, 2017; Henningsen, 2017; Johnson, 2018). This comic essay invites communication scholars to consider transgender embodiment and mobility through a visual medium that can illustrate complex problems of precarity, passing, and the crossing of both material and symbolic borders and boundaries. As a genre, comics allow for dense and layered information to be conveyed very quickly, and its affordances lend themselves well to portraying the tensions in and between trans and gender-nonconforming experiences. The speech bubble and the thought bubble, for example, can juxtapose in a single panel what two characters are saying to one another and what they are thinking and feeling as well as how they are interacting and communicating non-verbally. This graphic scholarship demonstrates why the unique genre of comics is particularly apt in rendering instances of microagression or passing. I argue that comics as a form enable a shift from abstract concepts back into the body, the materiality of which can get lost in academic discourse.
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"A comics anthology that illustrates the complicated and multiple experiences of human reproduction and explores comics within the growing field of graphic medicine"--
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Between 2000 and 2026
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- English (3)