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"This exciting volume brings to life the food culture of Mexico, detailing the development of the cuisine and providing practical information about ingredients and cooking techniques so that readers can replicate some of Mexico's most important traditional dishes"--
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The avant-garde has been popular for some time, but its popularity has tended to fly under the radar. This “popular avant-garde,” conceived as the meeting ground of the avant-garde and popular, avoids the divorce of art and praxis of which the avant-garde has been accused. The Popular Avant-Garde takes stock of the debates about both the “historical” (“modernist”) and posterior avant-gardes, and sets them in relation to popular culture and art forms. With a critical introduction that examines the concepts of “the avant-garde,” “the popular,” and “the popular avant-garde,” the series of essays analyzes the way in which the avant-garde employs popular genres for political purposes, as well as how the popular acquires a critical function with respect to the avant-garde. Each of the volume’s three sections considers a different aspect of the productive exchange between the avant-garde and popular: the popular avant-garde as a culturally hybrid and cross-border phenomenon; the play between the popular avant-garde and developments in media and technology; and the popular avant-garde’s upending of conventional ideas about “the people” and “the popular.” The Popular Avant-Garde takes a fresh look at the now canonical Dadaist, Futurist, and Surrealist movements from the perspectives of gender and sexuality, and cultural and critical theory, while at the same time exploring less well-known avant-garde work in literature, film, television, music, photography, dance, sculpture, and the graphic arts. This volume’s coverage of the American and Afro-American, Luso-Brazilian and Latin-American, East-European, and Scandinavian avant-gardes, in addition to the vanguards of Spain and other parts of Western Europe, will appeal to all those interested in avant-garde and popular art forms.
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Modernism represents an artistic movement that mirrors the changing society of the late 19th century. This changing society produced the first cultural and artistic movement in Spanish America that asked what was this region's place in the Western World as well as what the poet's new function was. Among other issues that revea) the modernity of the movement, such as urbanization, industrialization, or the role of women, there is one of capital importance: the view of masculinity. This essay focuses on three texts that review the image of masculinity and art thought the figure of the faun. El modernismo representa un movimiento artístico que refleja la sociedad cambiante de finales del siglo XIX. Esta sociedad cambiante genera el primer movimiento cultural y artístico continental de importancia que intenta responder a la pregunta ¿cuál es el lugar de Hispanoamérica en el mundo occidental y cuál es la nueva función del poeta? Entre otros aspectos que señalan la modernidad del movimiento (como el urbanismo, la industrialización, el papel de la mujer), hay uno de particular importancia: la revisión de la masculinidad. Este ensayo se centra en tres textos que revisan la visión de la masculinidad y el arte a través de la imagen del fauno.
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