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In early 2024, news coverage of squatter occupations in the borough of Queens led to amending the legal definition of ‘tenant’ in New York. Those media reports suggest that the practice of squatting is a growing menace and that those most threatened are the housed. I argue that the coverage documents and contributes to what political theorist Isabell Lorey terms ‘precarization’, a neoliberal process that produces insecurity as ‘a central preoccupation of the subject’, and that the materiality and affective centrality of the house amplify that preoccupation with insecurity. The alleged threat is credible in part because squatting has a history of disrupting housing as a market phenomenon in New York City. This essay examines two graphic narratives from an earlier era of cultural panic about squatters. Both Seth Tobocman’s War in the Neighborhood (2000) and Fly’s CHRON!IC!RIOTS!PA!SM! (1998) represent the practice of ‘staying put’ as a rejection of the security promised by finance capital, thus depicting squatting as a compelling form of unhousing. Both texts call out the false promises of security and locate potential in and for what Stefano Harney and Fred Moten call ‘bad debt’. © 2025 Informa UK Limited, trading as Taylor & Francis Group.

Featuring prominently in the romance imagination as terrifying obstacles in the hero’s path, shipwrecks are nevertheless often presented from the salvager’s perspective. Romances abound with knights, clerks, and merchants who obsessively observe nearby beaches and cautiously (yet excitedly) examine the contents of wrecked vessels. Washed ashore, such fruits of maritime disaster delineate medieval English conceptions of seashores as dangerous yet profitable spaces, wherein seaside harvests of (un)natural resources help to stimulate local economic networks. Designations of these shipwrecks as “magical” or “fortuitous” cannot, however, completely elide the source of such wealth in others’ suffering—an unavoidable implication that interrogates contemporary means of attaining investment capital. As such, this paper examines how the littoral space of the seashore is cast as a source of perilous and problematic material bounty in many Middle English romances.

The second volume of Annals of Cultural Psychology is dedicated to the affective nature of human social relationships with the environment. The chapters here included explore the historical, theoretical and practical dimensions of the concept of affectivating originally introduced by one of us (Valsiner, 1999), as a potential tool of inquiry into the affective-sensitive dimension of psychological life within a cultural-psychological framework. The concept of affectivating involves two psychological dimensions often undervalued or even obliterated from contemporary cultural psychology, namely the affective involvement and the agentivity of people in their social encounters. Through several examples --‘feeling-at-home’, silence spaces and rituals, memorials, music and poetry, among others-- we show individual’s concrete actions in mundane everyday life aim to give an affective personal sense to the world around. This focuses on the primary affective nature of human meaning construction that guides the person in one’s continuing feeling-into-the-world. At a theoretical level the notion of affectivation challenges contemporary Cultural Psychology to rescue subjectivity, not only symbolism. Affectivation propounds a return to the long, but partially forgotten, organismic tradition, represented in the history by thinkers like Wilhelm Dilthey, Jakob von Uexküll and Kurt Goldstein. Cultural psychology has to bring semiosis back to the vital background of human experience.

This book chronicles the intersection of chaplaincy, autopathography (illness narratives), and stigmatized illness through the observations and stories of a chaplain working at a facility for people with HIV and AIDS. Trained as both an ethnographer and a chaplain, Audrey Elisa Kerr uses memoir to bridge the relationship between caregiver and patient, and allows stories of marginality to frame both her patients’ stories and her own.

We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future. The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays.As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science.

In the 1960s, professors, students, and activists on the political Left viewed college curricula as useful sites for political transformation. They coordinated efforts to alter general education requirements at the college level to foster change in American thought, with greater openness toward people who had previously been excluded, including women, people of color, the poor and working classes, people with disabilities, and members of the LGBTQ community. Their work reshaped American culture and politics, while prompting a significant backlash from conservatives attempting to, in their view, protect classical education from modern encroachment. Elizabeth M. Kalbfleisch details how American universities became a battleground for identity politics from the 1960s through the 1980s. Focusing on two case studies at Stanford University and the University of Texas at Austin, Making the Radical University examines how curricular changes led to polarizing discussions nationwide around academic standards and identity politics, including the so-called canon wars. Today, these debates have only become more politically charged, complex, and barbed.

Louisa May Alcott (1832-1888) is arguably the most widely read 19th-century author in America. Even through the 1990s, her books continued to appear on bestseller lists and her works were made into films. She has long been a staple of children's literature courses and now also receives significant attention in American studies and women's studies classes. While her tremendous popularity has yielded numerous biographies and a growing number of critical works, very few reference books have been devoted to Alcott studies and none are particularly current or complete. This book collects in a comprehensive and reliable single volume the most important facts about Alcott's life and works.This reference surveys the basic biographical details about Alcott's family and personal life. It supplies essential information on her historical and cultural contexts, including her place in the 19th century publishing milieu, various reform movements, and major historical events, such as the Civil War. It also treats her writings, both the adult and children's works, in an accurate, informative, and accessible manner. The volume includes more than 600 alphabetically arranged entries. Each entry discusses the topic's relevance to Alcott's life and current scholarship about her. Many of the entries close with brief bibliographies, and the book concludes with a list of works for further reading.

Louisa May Alcott (1832-1888) is arguably the most widely read 19th-century author in America. Even through the 1990s, her books continued to appear on bestseller lists and her works were made into films. She has long been a staple of children's literature courses and now also receives significant attention in American studies and women's studies classes. While her tremendous popularity has yielded numerous biographies and a growing number of critical works, very few reference books have been devoted to Alcott studies and none are particularly current or complete. This book collects in a comprehensive and reliable single volume the most important facts about Alcott's life and works.This reference surveys the basic biographical details about Alcott's family and personal life. It supplies essential information on her historical and cultural contexts, including her place in the 19th century publishing milieu, various reform movements, and major historical events, such as the Civil War. It also treats her writings, both the adult and children's works, in an accurate, informative, and accessible manner. The volume includes more than 600 alphabetically arranged entries. Each entry discusses the topic's relevance to Alcott's life and current scholarship about her. Many of the entries close with brief bibliographies, and the book concludes with a list of works for further reading.

Louisa May Alcott (1832-1888) is arguably the most widely read 19th-century author in America. Even through the 1990s, her books continued to appear on bestseller lists and her works were made into films. She has long been a staple of children's literature courses and now also receives significant attention in American studies and women's studies classes. While her tremendous popularity has yielded numerous biographies and a growing number of critical works, very few reference books have been devoted to Alcott studies and none are particularly current or complete. This book collects in a comprehensive and reliable single volume the most important facts about Alcott's life and works.This reference surveys the basic biographical details about Alcott's family and personal life. It supplies essential information on her historical and cultural contexts, including her place in the 19th century publishing milieu, various reform movements, and major historical events, such as the Civil War. It also treats her writings, both the adult and children's works, in an accurate, informative, and accessible manner. The volume includes more than 600 alphabetically arranged entries. Each entry discusses the topic's relevance to Alcott's life and current scholarship about her. Many of the entries close with brief bibliographies, and the book concludes with a list of works for further reading.

Louisa May Alcott (1832-1888) is arguably the most widely read 19th-century author in America. Even through the 1990s, her books continued to appear on bestseller lists and her works were made into films. She has long been a staple of children's literature courses and now also receives significant attention in American studies and women's studies classes. While her tremendous popularity has yielded numerous biographies and a growing number of critical works, very few reference books have been devoted to Alcott studies and none are particularly current or complete. This book collects in a comprehensive and reliable single volume the most important facts about Alcott's life and works.This reference surveys the basic biographical details about Alcott's family and personal life. It supplies essential information on her historical and cultural contexts, including her place in the 19th century publishing milieu, various reform movements, and major historical events, such as the Civil War. It also treats her writings, both the adult and children's works, in an accurate, informative, and accessible manner. The volume includes more than 600 alphabetically arranged entries. Each entry discusses the topic's relevance to Alcott's life and current scholarship about her. Many of the entries close with brief bibliographies, and the book concludes with a list of works for further reading.

Louisa May Alcott (1832-1888) is arguably the most widely read 19th-century author in America. Even through the 1990s, her books continued to appear on bestseller lists and her works were made into films. She has long been a staple of children's literature courses and now also receives significant attention in American studies and women's studies classes. While her tremendous popularity has yielded numerous biographies and a growing number of critical works, very few reference books have been devoted to Alcott studies and none are particularly current or complete. This book collects in a comprehensive and reliable single volume the most important facts about Alcott's life and works.This reference surveys the basic biographical details about Alcott's family and personal life. It supplies essential information on her historical and cultural contexts, including her place in the 19th century publishing milieu, various reform movements, and major historical events, such as the Civil War. It also treats her writings, both the adult and children's works, in an accurate, informative, and accessible manner. The volume includes more than 600 alphabetically arranged entries. Each entry discusses the topic's relevance to Alcott's life and current scholarship about her. Many of the entries close with brief bibliographies, and the book concludes with a list of works for further reading.

"Our Voices Our Stories" is filled with thought-provoking poems, essays, short stories and other writings advancing, celebrating, embracing and empowering girls, teens and women of color worldwide. The diverse national and international voices represented in this anthology focus on the psychological, emotional, physical and social issues, traumas and challenges experienced by girls, teens and women of color. The writing will encourage society to understand what it means to be a girl, teen and woman of color living in a society that does not always listen to hear their voices or their stories.

In Black Women Speaking From Within: Essays and Experiences in Higher Education, contributors use intersectional and interdisciplinary lenses to share the ways in which they understand, navigate, resist, and transform student services, learning, teaching, and existing in the academy. This book explores and discusses the following question: How do Black women experience and perceive place and agency in higher education? Black Women Speaking From Within draws upon the influence organizational culture, sense-making, and sisterhood has on praxis and pedagogy and places the Black woman’s stories and experiences at the center of the conversation.

Oh So Yum! Volume 1 is a little bit gourmet and a little bit every day. With recipes for non-dairy cheeses, savory entrees, sweet treats and so much more, there is something to satisfy every craving and the most discriminating palates.Whether you're new to plant-based nutrition or a seasoned veteran, you can continue to enjoy your favorite flavors while benefitting animals, the planet and your health. This book will show you how and will quickly become your most reached for resource for quick and easy, tasty and satisfying, crowd-pleasing meals.Praise for Oh So Yum!“Oh So Yum is not just the title of this wonderful book. It is exactly what this book is about—creating delicious and surprisingly easy foods that have all the taste and none of the regrets that often accompany tasty meals. The instructions are simple, and the results are spectacular.” - Neal D. Barnard, MD, FACCAdjunct Professor, George Washington University School of MedicinePresident, Physicians Committee for Responsible Medicine“Anyone who thinks plant-based eating means sacrificing foods you love, this book will quickly change your mind! Written from a clear place of passion—Lori has created the ultimate introduction and delicious guide full of many classic dishes and favorite desserts, plus lots of staple recipes to keep stocked in your fridge and use a thousand different ways!”- Natalie ThomasRecipe and Video Creator, Feasting on Fruit“Lori’s Feta cheese is FANTASTIC!!! She could start up a business selling vegan cheeses. I bet there are a lot of people looking for good alternatives – this one is the best!- Dawn Duval, Area Supervisor“Wow! Lori’s aged blue cheese is delicious. I was going to let it sit in the cellar to age a bit longer but couldn’t resist trying it with some marinated eggplant!!! Thank you again!!!!!!”- Cindy Schrank Kane, Maven of Moderation“The ricotta recipe turned out great! Very easy. I usually make a cashew ricotta but will be replacing it with this recipe because this tastes a lot more like real ricotta to me. I bet I could swap this for dairy ricotta in any stuffed/layered pasta recipe without my non-veg friends and family noticing. I made the red pepper-fennel pasta with it too and liked how easy it was to transform the ricotta into a creamy pasta sauce.”- Melissa McBerkowitz, Recipe Testing Team, USA“The gelato is absolutely delicious! I took a portion to my mother who is vegetarian and trying to reduce her dairy intake and she said if she could buy vegan ice cream like this in the shops she would be very happy!”- Caroline Christian, Recipe Testing Team, UKWhat’s inside: 50+ whole food plant-based recipes including…Fresh, cultured and aged cheeses including feta, ricotta, mozzarella and cream cheese, plus REAL aged cheeses such as Camembert and Blue cheese.Veganized versions of popular dishes including stuffed shells, spanakopita (Greek Spinach Pie) and zucchini pad Thai.Dressings, sauces, appetizers and sides such as gourmet blue cheese dressing, marinated feta, mushroom antipasto, marinated eggplant and even potato salad.Weekend fun foods including smoked portobello CrunchWrap, jackfruit caritas and pizzeria style pizza.Fabulous desserts such as cheesecake, cashew cream parfaits, chocolate peanut butter pie and gelato.

Spoken word performance addressing gentrification and eviction encodes and embodies increasingly abstract and bureaucratically obfuscated processes of racialized dispossession in U.S. cities. Developing tropes across three works about housing precarity are read as poets’ attempts to identify the antagonists behind the digital wall of finance capital. Whereas the interactions of housing-insecure people with and within the housing market generate socially devalued identities, spoken word’s emphasis on “authenticity” requires poets to stand up as and for themselves as they wish to be (seen). In so doing, poets attempt to connect with audiences in real time to locate or reconstitute a stance as agents, however provisionally.

These twelve chapters show how war functions as a subject, theme, impetus--willing and not--and backdrop in travel writing. Literature about travel and war in tandem enables readers to rethink both categories. The forms of travel writing about war addressed in this collection, including cookbooks and military magazines along with nonfiction narrative and memoir, reveal how heterogenous travel writing can be. To study travel in connection with war expands readers' understanding of the multiple motivations instigating travellers' journeys. War is about more than fighting on a battlefield; its reach is extensive, encompassing the spheres surrounding its battlefields and fronts. The many actors involved in any conflict attests to the ways war is absorbed into their worlds, permeates their thoughts and spurs their actions. Readers interested in travel literature from the beginning of the nineteenth century through the present day will find this volume to be of especial interest.