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Featuring prominently in the romance imagination as terrifying obstacles in the hero’s path, shipwrecks are nevertheless often presented from the salvager’s perspective. Romances abound with knights, clerks, and merchants who obsessively observe nearby beaches and cautiously (yet excitedly) examine the contents of wrecked vessels. Washed ashore, such fruits of maritime disaster delineate medieval English conceptions of seashores as dangerous yet profitable spaces, wherein seaside harvests of (un)natural resources help to stimulate local economic networks. Designations of these shipwrecks as “magical” or “fortuitous” cannot, however, completely elide the source of such wealth in others’ suffering—an unavoidable implication that interrogates contemporary means of attaining investment capital. As such, this paper examines how the littoral space of the seashore is cast as a source of perilous and problematic material bounty in many Middle English romances.
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Proceedings of the 2013 biennial meeting of the International Society for Theoretical Psychology in Santiago, Chile, 2013.
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The second volume of Annals of Cultural Psychology is dedicated to the affective nature of human social relationships with the environment. The chapters here included explore the historical, theoretical and practical dimensions of the concept of affectivating originally introduced by one of us (Valsiner, 1999), as a potential tool of inquiry into the affective-sensitive dimension of psychological life within a cultural-psychological framework. The concept of affectivating involves two psychological dimensions often undervalued or even obliterated from contemporary cultural psychology, namely the affective involvement and the agentivity of people in their social encounters. Through several examples --‘feeling-at-home’, silence spaces and rituals, memorials, music and poetry, among others-- we show individual’s concrete actions in mundane everyday life aim to give an affective personal sense to the world around. This focuses on the primary affective nature of human meaning construction that guides the person in one’s continuing feeling-into-the-world. At a theoretical level the notion of affectivation challenges contemporary Cultural Psychology to rescue subjectivity, not only symbolism. Affectivation propounds a return to the long, but partially forgotten, organismic tradition, represented in the history by thinkers like Wilhelm Dilthey, Jakob von Uexküll and Kurt Goldstein. Cultural psychology has to bring semiosis back to the vital background of human experience.
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This book chronicles the intersection of chaplaincy, autopathography (illness narratives), and stigmatized illness through the observations and stories of a chaplain working at a facility for people with HIV and AIDS. Trained as both an ethnographer and a chaplain, Audrey Elisa Kerr uses memoir to bridge the relationship between caregiver and patient, and allows stories of marginality to frame both her patients’ stories and her own.
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We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future. The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays.As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science.
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"Our Voices Our Stories" is filled with thought-provoking poems, essays, short stories and other writings advancing, celebrating, embracing and empowering girls, teens and women of color worldwide. The diverse national and international voices represented in this anthology focus on the psychological, emotional, physical and social issues, traumas and challenges experienced by girls, teens and women of color. The writing will encourage society to understand what it means to be a girl, teen and woman of color living in a society that does not always listen to hear their voices or their stories.
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In Black Women Speaking From Within: Essays and Experiences in Higher Education, contributors use intersectional and interdisciplinary lenses to share the ways in which they understand, navigate, resist, and transform student services, learning, teaching, and existing in the academy. This book explores and discusses the following question: How do Black women experience and perceive place and agency in higher education? Black Women Speaking From Within draws upon the influence organizational culture, sense-making, and sisterhood has on praxis and pedagogy and places the Black woman’s stories and experiences at the center of the conversation.
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From the report: "My goal was to develop, reserach and write my next study on J.D. Salinger. With the aid of research and [sic] on Salinger's letters at the Morgan Library and The Firestone Library (Princeton), and several visits to his Cornish home, I was able to finish one manuscript, begin another, and start a Salinger essay designed to attract interest in my manuscript. I am happy to report that I completed my next manuscript, Harvesting Salinger's Rye, because I earned the tremendous good fortune to recieve support from SCSU."
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Completed 200 pages of a book documenting surviving Hodgkins Lymphoma, a family history describing the experiences both of the author and of her mother.
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The purpose of this essay was to expand the ways critics think about Harlem and the Heights following the Great Depression by recovering women's creative responses to social and political angst in predominantly Catholic spaces.
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