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"Representing the Modern Animal in Culture is a collection of twelve essays that investigate representations of animals and of the lives they share with humans. Starting with the eighteenth century but focusing on primarily the nineteenth century through the present day, these essays two sets of differences: the multifarious modes of representations that have materialized from the publication of Gulliver's Travels to The Hunger Games, and the range of animal lives, and human-animal relationships, that have emerged over this time. The collection is divided into three sections that focus on some of the most noteworthy relationships and prototypical representations and themes over the past three centuries: 1. depictions of domesticated animals, with their emphasis on nonfiction and identity; 2. imaginative reconstructions, with their focus on authors' self-conscious acts of creation in the age of Darwin; and 3. contemporary modes, with their interest in the posthuman and their specific aim to both cross and merge the animal-human divide"--
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Hochman met his goal to develop, research and write a new study on J.D. Salinger. The manuscript "Harvesting Salinger's Rye" was completed and has been submitted to various publishers. He also engaged in non-Salinger scholarship delivering conference papers on creative writing. Hochman also used the sabbatical time to make improvements in his teaching and course content and to engage in professional reading.
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Leave employed to complete draft of full manuscript of new poetry collection, now entitled About to Say.
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Examining a wide range of works, from Gulliver's Travels to The Hunger Games, Representing the Modern Animal in Culture employs key theoretical apparatuses of Animal Studies to literary texts. Contributors address the multifarious modes of animal representation and the range of human-animal interactions that have emerged in the past 300 years. © Jeanne Dubino, Ziba Rashidian, and Andrew Smyth 2014. All rights reserved.
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Personality theories, as Giordano (2014) argues, often treat Western versions of the self as having universal import. Eastern notions of self, however, offer a dramatically different basis for thinking about what personality might be. This paper, nonetheless, seeks to offer a general framework for theorizing about the epiphenomenon of personality in any culture, asserting that it is an effect of specific histories of ideological practices, semiotic networks and systems, and affect, which engage each other in dialogic and dialectical ways. The interactions of these factors, guided by ideology, regularize behavior and affective dynamics, largely in non-personal ways. Subjects are produced and reproduced from these complex interactions, which are situationally specific and simultaneously transpersonal. The subjects formed through these interactions are the basis for the folk psychology of personality, which treats the transient, varying effects of these interactions as more or less reified qualities that form a basis for the construction of selfhood, however conceived.
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