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In this richly detailed study Harriet B. Applewhite analyzes the political alignment and loyalties of the deputies elected to the Estates General/National Assembly between 1789 and 1791. Her purpose is to understand how these men shaped the struggle that transformed France's constitutional structure and invented its modern political practices., To gauge the deputies' political alignments, Applewhite establishes categories based on their voting records, club memberships, signatures on protest lists, assessments by contemporary observers, and other evidence. She then arranges on a left-to-right scale all 1,318 of these individuals. For a selected group of deputies she uses published political pamphlets and biographical records not only to assess and compare their attitudes on issues concerning political legitimacy and political participation but also to establish and analyze connections between these attitudes and actual political behavior., Applewhite's investigation focuses on the origins of the deputies' understanding of French national unity, the nature and basis of the fierce partisan battles that raged in the National Assembly, and the changes in political institutions and practices that were handed down to postrevolutionary France. Contrary to the converging-elites theory popular among many students of the French Revolution, Applewhite finds that membership in one of the three estates of the Old Regime - the clergy, the aristocracy, and the commonalty - channeled the early careers of future deputies, their subsequent political opportunities, and their responses to the power struggles of the National Assembly., Applewhite defines two key legacies of the first National Assembly for the future of French legislative politics: first, a reluctance to compromise and an absence of trust that developed among participants at the outset and hardened throughout the twenty-eight months of the assembly; second, the development of a left, center, and right political culture within the National Assembly and a style of conflict that pulled both leaders and followers away from the center. This meticulously researched and carefully written work makes a significant and lasting contribution to the study of the French Revolution and points to new avenues of inquiry.--(Source of description unspecified.)
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"Almost 200 years ago, the women of revolutionary Paris were demanding legal equity in marriage; educational opportunities for girls, including vocational training ; public instruction, licensing, and support for midwives; guarantees for women's rights to employment; and an end to the exclusion of women from certain professions. The editors have uncovered, translated, and annotated sixty documents which shed light on these and other socioeconomic struggles by women and their impact on the French Revolutionary era. This work makes a significant contribution to the growing appreciation of the role of women in history, politics, ideology, and social change."--Back cover.
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The purpose of the sabbatical leave was to (a) review the extensive body of research and clinical literature on code-based reading difficulties and (b) prepare a journal manuscript and conference presentation to disseminate clinical information to a wide audience of school-based speech-language pathologists.
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A study that explores the role of images of the landscape in marketing America to would-be Italian emigrants in the era of the Great Migration (1880-1920).
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A sabbatical project, "Breaking up with Brueghel," led to creation of an extensive number of paintings. Their common theme was the correlation between structures of life as depicted in molecular imaging and the structures of art in still life painting. The tradition of food as a subject of still life paintings was re-examined through the genetics of food. The paintings were exhibited in a number of venues, including several abroad, and purchased by donors for various musea and galleries. The accompanying leaflet presents one of the paintings.
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"Reflects Marilyn Aronberg Lavin's innovative work in art and cultural history in both the print and digital realms. Contributors: Kirk Alexander, Horst Bredekamp, Nicola Courtright, David Freedberg, Jack Freiberg, Marc Fumaroli, David A. Levine, Daniel T. Michaels, Elizabeth Pilliod, Debra Pincus, Gary Schwartz. Seventy-seven illustrations, bibliography of Lavin's works, index"--Provided by publisher.
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