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Fisher-Wirth, Ann W. Trinket poems.
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"He published his only novel more than fifty years ago. He has hardly been seen or heard from since 1965. Most writers fitting such a description are long forgotten, but if the novel is The Catcher in the Rye and the writer is J.D. Salinger ... well, he's the stuff of legends, the most famously reclusive writer of the twentieth century. If you could write to him, what would you say?" "Salinger continues to maintain his silence, but Holden Caulfield, Franny and Zooey, and Seymour Glass - the unforgettable characters of his novel and short stories - continue to speak to generations of readers and writers. Letters to J.D. Salinger includes more than eighty personal letters addressed to Salinger from well-known writers, editors, critics, journalists, and other luminaries, as well as from students, teachers, and readers around the world, some of whom have just discovered Salinger for the first time. Their voices testify to the lasting impression Salinger's ideas and emotions have made on so many diverse lives."--Jacket.
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"Shows how our American social, racial, and ethnic conflicts often mark the starting point for the various acts of creation through which we make and remake ourselves as Americans."--Cover.
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The characters in these stories "are always on the verge of disasters that emanate from the hard living they endure in the city they call 'Red Stick,'" i.e., Baton Rouge, Louisiana.--Jacket.
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"This collection of thirteen original essays focuses squarely on the question of how properly to define the intersection between the sacred and profane in early modern English literature. Growing out of the work of church historians of the previous decade, and the renewed interest in our own time in questions of how the religious and secular realms overlap and (re)define each other, the contributors to this volume focus their attention on defining anew the tension between the sacred and profane in this period. Fundamental to this reframing is a strong belief among all contributors that the sacred and profane must be defined in relation to each other. Thus, the essays in this volume seek to advance more nuanced approaches to these issues that enable us to move beyond simplistic categories whereby the sacred and profane - and sacred and profane literature - occupied several different spheres, were produced by different writers, and spoke to different audiences."--Jacket.
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Showcasing poems by more than ninety contemporary American poets, In a Fine Frenzy reveals what Shakespeare's poetic children have made of their inheritance. Particularly interested in Viola, Miranda, Prospero, Desdemona, Iago, Lear, Cordelia, Hamlet, Horatio, and Ophelia, the poets respond to the sonnets, the comedies, the tragedies, the romances, and, to a lesser degree, Shakespeare the man. In so doing they reveal the aspects of his work most currently captivating to modern writers. Those who cherish Shakespeare's mercurial wit will delight in the rapid shifts, from grief to hilarity, so characteristic of the bard himself. Comic poems about tragedies follow decidedly somber poems about comedies. Single poems contain multiple emotional twists and turns. Some pay homage; most interact directly with the original Shakespearean text. Collectively, they corroborate Ben Jonson's assertion that Shakespeare is "not of an age, but for all time."--(Source of description unspecified.)
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