Your search

Over the last several decades, academic discourse on racial inequality has focused primarily on political and social issues with significantly less attention on the complex interplay between race and economics. African Americans in the U.S. Economy represents a contribution to recent scholarship that seeks to lessen this imbalance. This book builds upon, and significantly extends, the principles, terminology, and methods of standard economics and black political economy. Influenced by path-breaking studies presented in several scholarly economic journals, this volume is designed to provide a political-economic analysis of the past and present economic status of African Americans. The chapters in this volume represent the work of some of the nation's most distinguished scholars on the various topics presented. The individual chapters cover several well-defined areas, including black employment and unemployment, labor market discrimination, black entrepreneurship, racial economic inequality, urban revitalization, and black economic development. The book is written in a style free of the technical jargon that characterizes most economics textbooks. While the book is methodologically sophisticated, it is accessible to a wide range of students and the general public and will appeal to academicians and practitioners alike.

This reference analyzes, summarizes, and explains the complexities of men's lives and the idea of modern manhood. It looks at literature, art, and music from a gender perspective, and covers intimacy, sexual violence, pornography, sexism and rituals.

This essay revisits the work of the German historian Friedrich Meinecke and offers new interpretation of his major works, Weltbürgertum und Nationalstaat (1907), Die Ideen der Staatsräson in der neuen Geschichte (1924), and Die Entstehung des Historismus (1936). The standard interpretation of Meinecke's work maintains that World War I caused a break in his thinking and caused him to rethink the role of power in the state. By stressing the first half of Weltbürgertum rather than the second, this article delineates a continuity of Meinecke's thought and points to the limitations of historicism as a historical narrative. It offers a possible explanation for how the conservative implications in the thought of an individual, who personally and politically was a Vernuftrepublikaner, could escape the author himself. This article also discusses what could be called the classical liberal critique of Meinecke's historicism, points to some of its limitations, and offers a more measured criticism of Meinecke that examines him on his own terms—and finds him wanting.

The need for constructing an environmental ethics that keeps sustainability in mind is the result of a collision of the realization that the natural environment is neither limitless nor impervious to actions with a view of nature that has been fundamentally instrumentalist and anthropocentric. This paper will borrow from architectural theory in an effort to do two things: First, it will point to some of the limitations of an anthropocentric view of nature and how it impacts efforts to influence environmental policy; second, it will suggest that ideas from Aristotle and Actor Network Theory can help to provide a paradigm within which we can think about nature in a way that offers an alternative framing of questions about the environment.

Walter Benjamin’s observation that fascism turns politics into aesthetics is, by now, a well-worn idea. This article argues that Benjamin’s critique of politics can apply just as much to the modern democratic politics of the United States. Borrowing from Benjamin, Jürgen Habermas, and Carl Schmitt, this article suggests that modern political discourse in the United States does not follow the classical liberal ideal of rational discourse in the marketplace of ideas within the public sphere. Instead, contemporary politics has become spectacle where images and slogans replace thought and debate in a 24/7 news cycle and political infotainment programs. The result is that progressives and conservatives have their own political “ecospheres” which enable them to have their own perspective reinforced, and debate is replaced by straw man arguments and personal attacks.

This article examines the influence of Friedrich Ratzel’s idea of the struggle for space and its impact on cultural and national development depicted in German geography and history textbooks from the Wilhelmine era to the Third Reich. Ratzel’s concept of bio-geography conceived the state as a living organism that is the product of humanity’s interaction with the land and also facilitates humanity’s spread across the earth. German textbooks promoted a similar concept of the state in their portrayal of geography and history, the implications of which were appropriated by the National Socialists to support their geopolitical goals.

Reprinted in Zauber und Abwehr. Aur Kultutgeschichte der deutsch-russiachen Beziehungen, Dagmar Hermann and Mechthild Keller, eds. (Wilhelm Fink Verlag, 2003)

"This collection explores the various forms of narrative, semiotic, and technological mediation that shape the experience of place. From the East End of London to Navajo lands to Ground Zero, Lived Topographies examines the great effect of language, mass media, surveillance, and other incursions of the contemporary world on topographical experience and description. Gary Backhaus and John Murungi have assembled a wide array of scholars to provide an interdisciplinary approach to this subject, giving this collection a unique perspective on the phenomenology of place."--Jacket.

World War I highlighted the influence of newspapers in rousing and maintaining public support for the war effort. Discussions of the role of the press in the Great War have, to date, largely focused on atrocity stories. This book offers the first comparative analysis of how newspapers in Great Britain, France, Russia, Germany, and Austria-Hungary attempted to define war, its objectives, and the enemy. Presented country-by-country, expert essays examine, through use of translated articles from the contemporary press, how newspapers of different nations defined the war for their readership and t., World War I highlighted the influence of newspapers in rousing and maintaining public support for the war effort. Discussions of the role of the press in the Great War have, to date, largely focused on atrocity stories. This book offers the first comparative analysis of how newspapers in Great Britain, France, Russia, Germany, and Austria-Hungary attempted to define war, its objectives, and the enemy. Presented country-by-country, expert essays examine, through use of translated articles from the contemporary press, how newspapers of different nations defined the war for their readership and t

German attitudes toward and stereotypes of Russia before the First World War and how they were inculcated in the public.

World War I and Propaganda offers a new look at a familiar subject. The contributions to this volume demonstrate that the traditional view of propaganda as top-down manipulation is no longer plausible. Drawing from a variety of sources, scholars examine the complex negotiations involved in propaganda within the British Empire, in occupied territories, in neutral nations, and how war should be conducted. Propaganda was tailored to meet local circumstances and integrated into a larger narrative in which the war was not always the most important issue. Issues centering on local politics, national identity, preservation of tradition, or hopes of a brighter future all played a role in different forms of propaganda. Contributors are Christopher Barthel, Donata Blobaum, Robert Blobaum, Mourad Djebabla, Christopher Fischer, Andrew T. Jarboe, Elli Lemonidou, David Monger, Javier Pounce,Catriona Pennell, Anne Samson, Richard Smith, Kenneth Andrew Steuer, María Inés Tato, and Lisa Todd.

The first collection of original contributions on American abolitionism to appear in a generation.The campaign to abolish slavery in the United States was the most powerful and effective social movement of the nineteenth century and has served as a recurring source of inspiration for every subsequent struggle against injustice. But the abolitionist story has traditionally focused on the evangelical impulses of white, male, middle-class reformers, obscuring the contributions of many African Americans, women, and others.Prophets of Protest, the first collection of writings on abolitionism in more than a generation, draws on an immense new body of research in African American studies, literature, art history, film, law, women's studies, and other disciplines. The book incorporates new thinking on such topics as the role of early black newspapers, anti-slavery poetry, and abolitionists in film and provides new perspectives on familiar figures such as Sojourner Truth, Louisa May Alcott, Frederick Douglass, and John Brown.With contributions from the leading scholars in the field, Prophets of Protest is a long overdue update of one of the central reform movements in America's history.