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Poetry included in the partial contents note is composed of contributions from the faculty, staff, students and alumni of Southern Connecticut State University.
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Showcasing poems by more than ninety contemporary American poets, In a Fine Frenzy reveals what Shakespeare's poetic children have made of their inheritance. Particularly interested in Viola, Miranda, Prospero, Desdemona, Iago, Lear, Cordelia, Hamlet, Horatio, and Ophelia, the poets respond to the sonnets, the comedies, the tragedies, the romances, and, to a lesser degree, Shakespeare the man. In so doing they reveal the aspects of his work most currently captivating to modern writers. Those who cherish Shakespeare's mercurial wit will delight in the rapid shifts, from grief to hilarity, so characteristic of the bard himself. Comic poems about tragedies follow decidedly somber poems about comedies. Single poems contain multiple emotional twists and turns. Some pay homage; most interact directly with the original Shakespearean text. Collectively, they corroborate Ben Jonson's assertion that Shakespeare is "not of an age, but for all time."--(Source of description unspecified.)
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"This work details over 900 films and TV series made from the 1890s through 2003 in which a religious figure plays a prominent or recurring role, or in which a character poses as a religious figure"--Provided by publisher.
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Sabbatical leave report outlining time spent revising the textbook, "Behavior modification", conducting a research project entitled "Motherhood ideology, role balance, and health-promoting behaviors of non-tenured academic mothers with preschool children", and working on course proposals for the Department of Psychology.
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This is the fourth in a series of books dealing with Washington, DC. Like the first three, this also is the outgrowth of special seminars conducted in the Department of Political Science at Howard University. We examine Washington, DC's challenges, because it is vital to know the conditions under which the residents of the most powerful city in the world continue to live, based on sound empirical evidence.
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Venerupis galactites (Lamarck, 1818), an endemic Australian infauna! venerid clam, is morphologically/ anatomically described based on specimens collected in shallow-water Posidonia australis seagrass beds in Esperance Bay, Western Australia. The species lives in high densities (1 ,300/m2) in 2-4 cm sediment depth, byssally attached to the seagrass rhizome mats. Notable features of its anatomy include elongated siphons that are united nearly to the tip, expansive plicated gills, and a prominent byssal groove on the posteroventral foot. The byssal gland in histological sections is irregularly ovoid and cupulate, with a narrow lumen; the microfibrillar ribbon-like byssus forms a single thick proximal stalk that divides distally into 2- 3 branches. Each branch can have numerous periodic, flat and parallel side-branches that extend from one side of the primary byssal thread and terminate in attachment plaques. The form of the byssus is reflected in the byssal duct, which has an infolded secretory epithelium that forms or molds the side branches. Byssal attachment by adult clams is discussed for the largely free-living and infauna! family Veneridae, a group in which neotenous retention of this postlarval feature was thought to be restricted to intertidal rock nestlers. Rather than representing a simple retention of neotenous features, the elaborate byssal apparatus of V galactites is clearly derived. The parallel side branches seen along a single side of the primary byssal threads could reflect an adaptive feature for secure adhesion in an infaunal life mode nestled along relatively narrow, cylindrical rhizomes.
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This article, extracted from a larger study, is attentive to the national folk culture of African-American communities - especially rumor and legend - in a number of city centers. The study begins with Washington, D.C., as a representative model to examine the role of complexion-related lore in black neighborhoods, organizations, and institutions, and then extends outward to other urban areas. Complexion lore, the article argues, functioned as a sophisticated negotiation of racism, wherein black residents complicated American urban principles of inclusion and exclusion by integrating color notions into institutional oral history. Copyright © 2005 by the Board of Trustees of the University of Illinois.
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Societal drivers, as well as trends in education and health care, are advancing the practice doctorate in nursing. For nurse practitioner preparation, the current resurgence of interest in the practice doctorate could precipitate change that mimics the evolution from post-basic certificate to Master's level education. The National Organization of Nurse Practitioner Faculties (NONPF) is a resource for the study of the practice doctorate relative to quality nurse practitioner education. This article will offer some insights into the movement toward the practice doctorate by describing, from the NP perspective, the societal impetus for change, the historical perspective of NP and doctoral education, the 4 Ws (why, what, where, and when) of the movement, and some of the myths and realities about the practice doctorate. © 2005 Online Journal of Issues in Nursing.
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Using the printed works of two French cartographers, Alexis-Hubert Jaillot and Guillaume Delisle, I investigate how the changing interests of the government directed not only the process of map-making but the rhetoric evident in printed maps and atlases. Jaillot, a commercial map publisher flourishing during the second half of the seventeenth century, produced maps that participated in the fabrication of the image of Louis XIV. Maps served this "cult of image" and contributed to a multimedia show to glorify the reign of the Sun King and to support his personal state - l'état, c'est moi. In the eighteenth century, while a rhetoric of image was still present on printed maps, the "cult of image" was dead and mapping appealed to the rise of the impersonal or bureaucratized state - l'état, c'est l'état. Delisle produced maps as instruments of statecraft that aided the state in furthering its domestic and international interests. In particular, printed maps of the Americas served the government's need to acquire greater territorial control. While images were still powerful on New World maps, the French boundary claims, egregious to some, if uncontested could be produced time and again as a true representation and legitimization of territorial control.
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