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Connecticut Literary Anthology features thirty-six Connecticut poets and prose writers from across the Nutmeg State. The 2020 Anthology is published by the Central Connecticut State University English Department. The writers in the inaugural anthology share themes amplified by current events, but not the context. Stories of family, economic in- equality, sexual violence, social justice, culture wars, lost love, aging, and gender—they’re all in here. And mangoes. Everyone loves mangoes. Featured writers: Janet L. Bannister, Charles V. Belson, Susan Cinoman, Ginny Lowe Connors, Jason Courtmanche, Catherine DeNunzio, Joanie DiMartino, Catherine DeNunzio, Meghan Evans, Maura Faulise, Kathryn Fitzpatrick, Beth Gibbs, Cecilia Gigliotti, Nichole Gleisner, Sitara Gnanaguru, Emi Gonzalez, José B. González, Benjamin S. Grossberg, Avery Jenkins, B. Fulton Jennes, Sarah Darer Littman, Kiran Masroor, Melissa McEwen, Claudia McGhee, Nancy McMillan, Jean P. Moore, Steven Ostrowski, Makenzie Ozycz, Aimee Pozorski, Kara Molway Russell, Vivian Shipley, Amy Sisson, Katherine A. Szpekman, Wendy Terry, Mika Taylor, Marina Tinone, Jason Wilkins. Praise for Anthology: "It feels like we have become unglued from one another since March of 2020; masked strangers passing each other in anonymity. But this anthology glues us back together and helps us find ways to heal and talk with one another. Important stories are told, and we should heed them." —Lisa Comstock, Director for Connecticut Center for the Book
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Postmodern assumptions employed by some organizational theorists recognize that “administrators' greater power lies not in their ability to control resources but in their ability to manipulate symbols-the ceremonies, rituals, images, and language of the organization” (Graham and David 9). Thus, even a genre that is often considered neutral and objective, such as meeting minutes, can become a tool Of managerial control. This article presents data from an ethnographic case study that describes how an administrator in a theater organization manipulated language by using the minutes from a board of directors meeting to influence board members to vote to disband the organization.
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Wynkyn de Worde published c. 1495 the first printed edition of John Trevisa's English translation of an influential work of science composed by Bartholomew the Englishman in Latin in the thirteenth century, De Proprietatibus Rerum (DPR). The design of de Worde's book, the use of Latin in the rubrics, and the visual vocabulary of the illustrations bring readers of English into the circle of learning. First, the plan of organization of Bartholomew's encyclopedic work is analyzed and both that structure and the expository style of the work are related to memorial reading and use as a textbook. Next, the widespread use of DPR in Latin and vernacular languages is reviewed, the suggestion that certain of its books seem to have been used more than others is made, and the reliance of English readers, such as Roger Thorney, who commissoned de Worde's edition, on de Worde for learned books printed in their provincial tongue is pointed out. Finally, through comparison with certain manuscript and other printed editions, the methods de Worde used to make the book readable are explained, the layout is shown to support the idea of system, and the function of the pictures as visual texts carrying scientific ideas is demonstrated. © Koninklijke Brill NV, Leiden, 1998.
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